ART DIRECTION, GRAPHIC DESIGN, BRANDING, EDITORIAL, PRINT, MOTION, WEB

Brand identity & packaging for the skincare brand Nãra. Infused with natural botanical extracts and cutting-edge technology, Nara’s formulas work harmoniously to rejuvenate and restore skin’s vitality.

For this project, I followed the botanical and natural aspect of the brand, by focusing on ingredients, using them in the logo, as illustrations. I focused on a simple and minimalist structure for the packaging, to emphasize a certain transparency between the customer and the brand, highlighting only the ingredients and their benefits. 

Romane is a font created by combining AI and manual use. I started the project by generating images on Midjourney inspired by antic Greco-roman alphabet. After that, from one of the pictures I got (slide 1), I draw manually an alphabet, more modern, before making them on screen. This project was a good illustration of how to use AI and my skills, to develop creativity and lead to innovative outcomes.

{in progress} 

Personal project I did to design an editorial magazine that retraces the link between Italian food and cinema. The layout follows a structure with grids; with a custom font created specifically for the title. I played with bold colors and fonts to represent the energy and dynamism of italian food, and visuals in the collective imaginary. Articles were generated using AI, and all images are sourced on Unsplash/Freepik for personal use. 

This lookbook is a personal project, made for a Fall 2024 collection, designed to showcase a range of fashion pieces for brands. I generated the text content and brand info through AI and created the pagination to follow a certain simple, minimalist, and warm collection. I chose to follow clean lines and grids, and a harmonious color scheme to reflect the brand’s minimal essence, perfectly aligning with the collection’s modern elegance.

As a graphic designer, I like playing with font shapes and structures. During a trip to Barcelona, I started drawing a typeface inspired by the Art Nouveau movement and architecture. Taking source from Gaudi’s style, it was a good exercise form me to learn more about letter forms and ligatures. 

{in progress}

Design of a poster to promote Les Nocturnes de l’Histoire (Night of History), a set of events developed by the Sorbonne University Library to spread knowledge about a particular topic.

The goal of this first edition was to create a concept that can be used over time. I decided to keep a consistent structure and put the main element in the photo. My purpose was, through the theme, to convey the concept of closed space through this blurry and movement effect, on both the picture and the font. For the typography, I choose Chakra Petch from Cadson Demak, to keep a traditional and minimal aspect like the university, while bringing a twist to make it atypical. 

Mabble is an app that lists ethical clothing brands. For this project, I aimed to make shopping more entertaining and playful. By swiping left or right, users can interact with the algorithm, which adapts to their preferences while promoting local producers and brands.

For this, I integrated elements from social media and shopping apps, infusing the interface with energy and dynamism. After creating personas, mapping out user flows and journeys, I developed the  wireframes and the app’s website.

In 2020, I began an internship at Skipit, a company dedicated to promoting tourism and eco-transportation. As a designer, my responsibilities included contributing to the app’s development by designing its visuals and user interface with the other member of the design team. I also created print and digital marketing materials to promote the product across various media channels.

I really like analyzing fashion trends through data, tracking their impact and how they evolve with time, colors, and seasonal patterns. By translating this research into visuals, I uncover insights into the evolution of style over time

I really like analyzing fashion trends through data, tracking their impact and how they evolve with time, colors, and seasonal patterns. By translating this research into visuals, I uncover insights into the evolution of style over time

Since the Taliban’s return to power in August 2021, Afghanistan has witnessed a profound regression in women’s rights. The dismantling of legal and institutional frameworks has reversed two decades of progress in gender equality. Enforced restrictions now confine women’s roles in education, employment, and public engagement, leading to pronounced regional disparities and a weakened societal framework

The EU accounts for approximately 53% of global olive oil consumption, emphasizing its key role in the market. On average, around 3 million tonnes of olive oil are produced worldwide each year, with nearly 2 million tonnes of this production occurring in Europe. This positions the EU as both a major consumer and a leading producer on the global stage.

The visualization displays the leading pasta exporters worldwide. These selected nations are the top consumers of pasta and noodles on a yearly and per capita basis in the year 2022. Within each country’s representation, you can observe the most commonly consumed pasta shape and the preferred sauce type.

I like to create visuals to explore food’s historical and cultural aspects, often through maps. 

Like other European nations, Denmark engaged in a variety of colonial activities throughout the world. These operations enabled the country to develop large-scale trade of goods and contributed to the beginning of its growth from the 17th century. Although less important than some other European empires, the vestiges of this colonial system are still present around the world and remain part of the country’s historical heritage.

The visualization shows data on the evolution of the population per decade, from 1900 to 2020. The selected counties are the lo most populated countries, after India, in 2020. For each country, the following data are visualized: growth population over the past 60 years, the total population of a country in 2020, and the percent of gender. The countries are ordered along the vertical axis by GDP (2020) and horizontal axis per continent.

I’m a multidisciplinary designer based in Copenhagen specialized in brand identity, print, and digital design. I graduated from ESAIG Estienne in Paris in graphic and digital design, and I work now independently as a graphic designer. I’ve always enjoyed communicating with others via paper or a screen.