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ata isualiatio
This project explores how gender inequality shapes women’s lives from childhood through old age. I divided the lifespan into four stages to examine the challenges women face in each period. The project highlights the systemic barriers women encounter, and the need for change.
I love analyzing fashion trends through data, tracking their impact and how they change over time across colors and seasonal patterns. By turning that research into visuals, I uncover insights into how style evolves.
The EU accounts for about 53% of global olive oil consumption, underscoring its central role in the market. On average, around 3 million tons of olive oil are produced worldwide each year, with nearly 2 million tons of this production occurring in Europe. This positions the EU as both a major consumer and a leading producer on the global stage.
Since the Taliban returned to power in August 2021, Afghanistan has seen a profound rollback of women’s rights. The dismantling of legal and institutional frameworks has undone two decades of progress toward gender equality. New restrictions now limit women’s access to education, employment, and public life, deepening regional disparities and weakening the social framework.
The visualization highlights the world’s leading pasta exporters. The selected countries are also the top consumers of pasta and noodles in 2022, both annually and per capita. Within each country’s profile, you can see the most commonly eaten pasta shape and the most popular type of sauce.
I like creating visuals to explore food’s history and cultural significance, often through maps.
Like other European nations, Denmark engaged in a range of colonial activities around the world. These efforts enabled the country to develop large-scale trade and helped fuel its growth beginning in the 17th century. While smaller than some other European empires, the remnants of this colonial system are still visible worldwide and remain part of the country’s historical legacy.
The visualization shows how population has changed by decade from 1900 to 2020. The selected countries are the 10 most populated countries in 2020 after India. For each country, it visualizes population growth over the past 60 years, total population in 2020, and the gender breakdown. The countries are arranged vertically by GDP (2020) and horizontally by continent.
Brand identity and packaging for the skincare brand Nãra. Infused with natural botanical extracts and cutting-edge technology, Nãra’s formulas work in harmony to rejuvenate and restore the skin’s vitality.
For this project, I leaned into the brand’s botanical, natural side by spotlighting ingredients and incorporating them into the logo as illustrations. I kept the packaging simple and minimalist to emphasize transparency between the customer and the brand, highlighting only the ingredients and their benefits.
Romane is a typeface created through a mix of AI and hands-on work. I began by generating Midjourney images inspired by the ancient Greco-Roman alphabet. From one of those images, I sketched a more modern alphabet by hand before refining it digitally. This project is a great example of how combining AI with my skills can spark creativity and lead to innovative outcomes.
{in progress}
Editorial piece exploring the connection between Italian food and cinema.
Personal project for a Fall 2024 collection, designed to showcase a range of fashion pieces for brands.
As a graphic designer, I love playing with letterforms and typographic structures. During a trip to Barcelona, I started sketching a typeface inspired by Art Nouveau and the city’s architecture. Drawing inspiration from Gaudí’s style, it was a great exercise for me to learn more about letterforms and ligatures.
{in progress}
Poster design for Les Nocturnes de l’Histoire (Night of History), a series of events created by the Sorbonne University Library to share knowledge around a specific theme.
The goal of this first edition was to create a concept that could be reused over time. I kept a consistent structure and made the main element the photo. Through the theme, I wanted to convey the feeling of an enclosed space using blur and motion, both in the image and the type. For the typography, I chose Chakra Petch by Cadson Demak to keep a traditional, minimal look that fits the university, while adding a twist to make it feel more distinctive.
In 2020, I started an internship at Skipit, a company focused on promoting tourism and eco-friendly transportation. As a designer, I contributed to the app’s development by creating visuals and designing the user interface alongside other members of the design team. I also produced print and digital marketing materials to promote the product across a range of channels.
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et’s talk!
Romie, Claude Type, designed by Margôt Lévêque.
